This afternoon I attended a session at info.nl in Amsterdam with Brewster Kahle who wants to create “Universal Access to All Knowledge”. He has founded The Internet Archive, a non-profit library with about 150 people. It is best known for its Wayback Machine (collecting about 5 billion web pages a month, amazingly still fitting in a container).
They are convinced that it is feasible to store all the world’s knowledge. Texts are being digitized (i.e. scanned) for representation on the screen (see Open Library for examples) and are openly available. The Internet Archive have made their own scanners pushing the costs per scanned page (mostly labour) down to about 10 cents per page. Their scanning centers now have 3,000,000 free ebooks available online (incl. 500,000 for the blind/dyslexic and 250,000 modern books available for lending) and they have about 8 million more to go. They have made a book mobile that can download and print a book for about one dollar.
Book Mobile
They are also focusing on archiving all audio, offering unlimited storage and unlimited bandwidth for free and for ever to bands who want to store their tapes online. They have over 1 million audio items in over 100 collections. They are doing similar things to moving images, making permanent archives of video sites that have gone out of business, home movies and even television (do check that one out, it makes TV news quotable and even includes a lending model for physical DVDs of TV news).
They store their 10 Petabytes of data in a redundant fashion and also store 600,000 books in a physical archive (growing fast of course).
Brewster also talked a little bit about his case against the US government when he received a national security letter from the FBI which was deemed unconstitutional with a bit of help from the EFF and from the fact that he is a library.
Daniel Erasmus from Digital Thinking Network (DTN) did a short presentation on NewsConsole which uses a big data approach and aims to collect all the world’s news and put it in an interface that allows for easy interacting with it. I’ve been using it for a while to find news in the field of learning technology. I particularly liked his key lessons from working with big data, like:
SQL won’t cut it
Big data is messy, a lot of effort goes into cleaning it up
Moving a petabyte of data is very expensive and difficult, store it correctly the first time
Testing on small subsets doesn’t work, because you get unexpected bottlenecks when you scale
Last night I watched the Dutch documentary Panopticon which explores our privacy in the Netherlands. Peter Vlemmix made an excellent film. Do take your time to watch it below or directly on Vimeo:
[vimeo http://vimeo.com/52165457]
Vlemmix deftly shows that many people in the Netherlands think they have “nothing to hide”, while living in a society which is increasing the level of control and eroding their privacy. Even though I follow this topic actively, the film still managed to upset me. I didn’t know that the trams in Rotterdam do facial recognition or that psychiatrists have to list the diagnosis of their patients in a centralized repository (see this Dutch article, and these Dutchsites of psychiatrists battling this DBC).
Watching the film made me angry and worried. How much further before the police will start pro-actively arresting people for what they might do even before they do it, the infamous pre-crime?. The technology is already capable.
It was interesting to see how Germany, with its Nazi and Stasi history, has much more awareness of the dangers of storing too much data. They refuse to implement the EU’s data retention policy for example.
As you can see, there is ample need for a strong Dutch voice protecting your privacy. Bits of Freedom is doing a great job defending your digital rights.
I attended Ars Electronica this year and noticed their was a lot of art about privacy. I’ve written a Dutch blog post for the civil rights activists Bits of Freedom about these art works. You can read it below or find the original here.
Ieder jaar wordt in Linz (Oostenrijk) Ars ElectronicaFestival for Art, Technology and Society gehouden. Dit jaar barstte het festival van de privacy gerelateerde kunst. Hieronder een aantal highlights.
Memopol-2 van de Estlandse kunstenaar Timo Toots was de winnaar van de Golden Nica voor interactieve kunst. Deze dystopisch aandoende kamergrote installatie scant paspoorten van bezoekers en verzamelt daarmee zoveel mogelijk informatie online. Deze informatie wordt met een donkere en enge esthetiek getoond aan de bezoekers. Door slim met gegevens om te gaan wordt bijvoorbeeld niet alleen je geboortejaar maar ook het jaar waarop je statistisch gezien gaat sterven getoond.
“Memopol-2 in KUMU Art Museum / Tallinn, Estonia”, foto van Timo Toots
Kyle McDonald is bekend van het controversiele project People Staring at Computers waarin hij met webcams foto’s maakte van nietsvermoedende computer gebruikers in Apple winkels in New York. Hij wilde met dit sousveillance project de lege blikken laten zien van mensen die computers gebruiken. Omdat McDonald in een juridische strijd met Apple verwikkeld is heeft David Pierce aquarellen gemaakt van een aantal van zijn foto’s. Die werden op het festival getoond.
“applestore-employee”, copyright David Pierce
Het project qual.net won een beurs. Deze open source technologie maakt het mogelijk om compleet ad hoc een netwerk te maken tussen verschillende apparaten met een Wi-Fi antenne. De netwerkverbindingen worden niet centraal geregeld maar verspreiden zich als een virus. qual.net kan dus gebruikt worden om Internet blokkades te omzeilen en is ook een goed alternatief voor overbelaste netwerken.
Het Ars Electronica centrum heeft op dit moment een vaste tentoonstelling getiteld Out of Control – What the Internet Knows About You waarin de verschuivende grens tussen publiek en privé wordt onderzocht. Drie projecten maakten indruk:
Newstweek bestaat uit een klein kastje dat je op kunt hangen op een plek met een draadloos netwerk (bijvoorbeeld een Starbucks). Het kastje logt in op het netwerk en corrumpeert de ARP tabellen zodat al het netwerkverkeer via het kastje loopt. Met een simpele webinterface kun je daarna de tekst van bekende nieuws websites (onder andere het NRC) aanpassen en je eigen propaganda creeëren. Gebruikers van het netwerk zien dan bij een bezoek aan de nieuws site jouw aangepaste tekst in plats van de originele tekst:
[vimeo http://vimeo.com/23075736]
Faceless is een wat ouder project van Manu Luksch. Zij heeft een film gemaakt door voor het oog van London’s surveillance camera’s een aantal scenes op te voeren. Door middel van recht op inzage verzoeken heeft zij vervolgens alle beelden van die scenes opgevraagd. Om de privacy van de ommestaanders te garanderen moeten al hun gezichten geanonimiseerd worden. Vandaar de titel Faceless.
De Oostenrijkse student Max Schrems heeft vorig jaar alle door Facebook opgeslagen informatie over hem opgevraagd. Na wat juridisch gesteggel heeft Facebook uiteindelijk een dossier van 1200 pagina’s opgeleverd. Een uitvoerige analyse van de gegevens laat zien wat voor soort gegevens allemaal door Facebook worden opgeslagen. Dit zijn niet alleen maar de connecties met je vrienden, je foto’s en je status updates, maar ook zaken als je laatst opgeslagen locatie, gegevens over alle apparaten waarme je Facebook gebruikt, de mensen waarmee je inmiddels geen vriend meer bent, en je complete log in geschiedenis (zie hier voor de ontnuchterende complete lijst). In het Ars Electronica centrum werden de 57 categorieën mooi verbeeld als verschillende puzzelstukjes die tezamen het lijf van Max Schrems legden.
Kunstwerk Europe Vs. Facebook, van website Ars Electronica
Schrems is inmiddels een campagne gestart, Europe vs. Facebook, met vier eisen aan Facebook:
Meer transparantie over de gegevens die door Facebook worden opgeslagen
Opt-in in plaats van het nu gehanteerde opt-uit
Echte controle over de eigen data door de gebruiker
Data opslag minimalisatie
Daarnaast vindt Schrems het onacceptabel dat Facebook sommige gegevens voor eeuwig bewaard en gebruikers niet de mogelijkheid geeft om deze voorgoed te wissen.
Naast installaties over privacy was er aan de Donau nog veel meer interessante digitale kunst te zien. Ars Electronica is echt een aanrader.
Today was the second day of the 2012 PICNIC festival in Amsterdam. My notes about the first day are available here. Below my notes and thoughts on day 2:
Hood is from AKQA a (marketing? branding? ad?) agency and sponsor of the festival that helps brands “improve business performance through innovation”. He talked about how in our current times it is incredibly necessary to try things and to make sure you learn from whatever it is that you try. According to Hood whenever you learn you can consider yourself to be successful. He quoted Wayne Gretzky who said: “You miss 100% of the shots you don’t take”. Having learned something you have to act on it and follow it through.
His reference to The Selfish Gene was a bit thin: “evolve or die” (meaning you need to keep learning) and “the genepool needs to be diverse” (meaning you need to have an ecosystem of partners).
Finally he referenced an interesting Disney project around gesture recognition on normal surfaces (like a door knob):
Rupert Turnbull – An Inside Job: Tales from a Corporate Startup
Turnbull is the publisher of Wired UK. He talked about intrapeneurship (although I am not sure what he meant to say other than that we should cherish intrapeneurs). He beliefs we are all born with an entrepeneurial spirit, but that we don’t all use this spirit when we grow up. Turnbull is a good storyteller and shared his own forays into the world of starting businesses. He also discussed how disruption can be an opportunity: Wired UK has an incredibly diverse sets of business outlets: website, magazine (print and tablet), podcast, consulting, events, hospitality, retail, etc.
Louisa Heinrich – I am Superman
Heinrich works for Fjord and has no slides (brave!). She talked about how the extended Quantified Self movement and its thinking can make us better human beings. Our lives are made of thousands of decisions every day without us even being conscious about many of those decisions. Our brains process massive amounts of data and it is an illusion to think that computers can just take over that task.
We are inherently narrative creatures. We think of our own lives as a set of very rich stories and we cannot help but see patterns in these stories. She loves the ideas of technology helping us creating stories about ourselves on the basis of the data that is in our lives. When this happens we should all have the power to decide who gets to look at our data though.
I’ve put some thought into the quantified self and how this relates to learning myself. There is a summary of a talk I did on that topic in Dutch or in English.
Ross Ashcroft – No More Business As Usual
Ashcroft is from Motherlode and directed Four Horsemen, a film about the fundamental flaws in our economic system:
His talk was also mainly about storytelling. He showed the Hollywood formula:
The Hollywood Formula
On the basis of these plot elements Ashcroft told a story about a new way of doing business and “new ownership” (the theme of PICNIC). Similarly to the talks of Turnbull and Hood this seemed to be more about how you say something than what you say. I’m left with barely any content… Yes, the world is changing. Now what?
Elizabeth Stark – The Democratization of Knowledge and Innovation
Stark talked about the largest online protest in history: against SOPA. She described how the media portrayed the demonstrations as a top down approach from a set of Silicon Valley executives, whereas in reality it very much was a bottom-up, decentralized and chaotic movement. Stark sees this as a way of working and innovating in the future: harnessing the creativity of millions of people who realise that you can learn anything you want, that experts are made (rather than born) and you don’t need a PhD to innovate.
Farid Tabarki – Burdened with Radical Freedom
Tabarki (a trendwatcher with his own company Studio Zeitgeist) started his talk by looking back at the rise of Lady Gaga who rose to the position of most influential woman in media in only two to three years. She was able to do this because of three things:
In the past you needed MTV to become well known. Lady Gaga uses a platform where anybody can tune in anytime (2 billion views on her YouTube channel)
Before you could only communicate with your fans through magazines. She has around 30 million followers on Twitter.
In the past you had to make sure your records were in physical stores, now you have global instant delivery with things like iTunes.
We are all little Lady Gagas: we are also liberated from the constraints of the past and we live in the age of digital decentralization. The next part of his talk focused on education (the usual Coursera-like examples). These new ways of doing education are based on the fact that one size no longer fits all. Other fundamental changes are related to sharing, transparency (check out this Norwegian website showing the income of all Norwegians for an example of true radical transparency). Finally, we will also have a much more hybrid approach to things.
How will we go from the old centralized system to the new system? Will it be a revolution or a transformation? One thing is for sure: we need take some risks.
Cathal Garvey – Enter Bio-Hacking!
Garvey is a biohacker and an academic (his slides actualy have content, unique in PICNIC):
Garvey’s R&D interests
His wish is for this “most fundamental technology of them all” to be democratized. Garvey showed quotes from Bill Gates and Freeman Dyson saying how important biotechnology will be in the future (“the machine language of life”). Biotechnology as the original open source technology, it is there for anyone to hack on.
Why biohacking? Basically because it is about the ownership of self. 20% of the Human genome is currently patented (WTF?!). So there is a rich community of hackers (in hackspaces and dedicated biolabs) and biopunkers using things like the OpenPCR (for thermocycling) trying to democratize access to this type of technology and genetic information.
Jon Lombardo – HealthyShare: Because Friends are Good for Your Health
Lombardo leads social media for GE and talked about their new app: HealthyShare, a way to let your friends help you with your health challenges. GE sees health as a social thing. There are four things you do to or with others when it comes to health:
Well-wishing
Researching
Inspiring
Teaching
The app transfers these pre-existing things to the online domain (unfortunaty this is another app that is heavily based on Facebook). Right now the app is mainly focused on what he calls “casual health”. They want to move it to the more serious health concerns.
Tim O’Reilly – The Clothesline Paradox and the Sharing Economy
I saw O’Reilly being interviewed on the same topic at SxSW and wrote a blogpost about it. His truly excellent talk today (refreshingly full of content compared to the morning) was mainly a rehashing of what was discussed there.
Humberto Schwab, the “innovation philosopher for business” who used to be my philosophy teacher at the Montessori Lyceum and was called Huib then, led a Socratic conversation with a few of the speakers of the day.
Schwab started by outlining the basic rules for the Socratic method (as one way of battling the intellectual fallacy and putting the practical knowledge and practical intelligence in the center of our acting):
You can only get the floor when you ask for it by raising your hand, and only then when the chair gives you the floor
There is no discussion, you are in a process of thinking together and trying to answer a question
Before you can speak, you have to be capable of repeating what the person before you said and you have to be able to summarize the previous 15 minutes of dialogue
You are not allowed to refer to books, investigations or other smart people
You have to use simple and concrete language
The chair will be a philosopher, who will not provide any content but will make sure that all dimensions of the question are explored by creating the space for that
If the rules madden you then you can ask for a timeout
He then asked the four speakers to come up with one philosophic question each. The speakers asked the following questions:
Why do people do things for eachother without necessarily getting something in return?
Do we own ourselves?
What am I willing to share as a human being?
Are we losing leadership?
I focused more on the methodology than on the contents of the discussion, very interesting!
Cardboarders
Cardboarders is “a blog about artists, engineers, architects and people with a fetish for cardboard.” They created a giant cardboard marble run in the main hall of the Eye:
Meg Ambrose and Jill van Matre, two lawyers and privacy policy thinkers, hosted a conversation in which from the outset there was the ambition to answer some of the following questions:
Is forgiving and forgetting worth protecting in the digital age?
How does the Right to be Forgotten work in EU member countries?
Does the First Amendment prevent any possibility of a Right to be Forgotten in the US?
How does time change the value of information?
Can anything ever really be deleted from the Internet?
From the online summary of the session:
The digital age has eternalized information that was once fleeting, and the Right to be Forgotten has gained traction in the EU. A controversial aspect of these rights is that truthful, newsworthy information residing online may be removed after a certain amount of time in an attempt to make the information private again. Two compelling camps have arisen: Preservationists and Deletionists. Preservationists believe the web offers the most comprehensive history of humanity ever collected and feel a duty to protect digital legacies without censorship. Deletionists argue that the web must learn to forget in order to preserve vital societal values and that threats to the dignity and privacy of individuals will create an oppressive networked space.
The Starwars Kid: undeletable
They kicked off the conversation with the example of a girl in college who did somebody stupid which was posted on Facebook and surfaced 6 years later. We were also asked to remember our most embarassing moment and then imagine that being posted on the Internet and showing up as the first result on a search for your name. They then handed out a roadmap for the discussion (which I think some of the other discussion sessions could have used).
Forgetting is incredibly important to our emotional health. How human do we want our technologies to be? This becomes more important now that it is becoming harder to keep yourself out of the online context and are forced to live some of your civic life online. Digital life is also core to our expression rights. Somebody in the audience had a disability with his hands. He is now scared to post pictures of himself online being happy, because they might take his disability insurance away if he doesn’t look “disabled” enough.
In general the tone of the discussion seemed to be very pro right-to-forget (so deletionist). One German lady brought in the perspective of her press job. The press is very nervous about how this right will be used to censor the press.
My personal question on this topic relates to the ability to reinvent yourself. This will become much harder once everybody has something like a “Facebook timeline”. The assumption behind this seems to be that people don’t change and that identity is a constant concept. This semi-objective (it still is a subjective lens) digital history might become the single source of truth about who you are.
There are a lot of behaviours and social norms that are coming through that are helping us cope with this situation. There are also options to enforce law with forced technological solutions.
